The Costumes of VERTIGO

by guest contributor Christian Esquevin

“I don’t wear suits, and I don’t wear gray. Another thing, I don’t wear black pumps,” said Kim Novak to Edith Head, the costume designer for Vertigo. “I don’t care what she wears as long as it’s a gray suit," Hitchcock retorted when Edith reported this conversation to him. Thus began the creative tension over the costuming of Vertigo. But in a clash of opinion over the visual aspects of a Hitchcock film, Hitch always prevailed. Indeed, he had the colors already in mind along with the costume types he wanted even before pre-production for Vertigo began. Kim Novak wore the gray suit with the black pumps - her iconic look in Vertigo. “I had never had a director who was particular about the costumes, the way they were designed, the specific colors,” said Novak about Hitchcock later.

Bernard Herrmann - Composer Of Haunting Music and Treacherous Dreams

by guest contributor Whistlingypsy

Just as my fingers on these keys

Make music, so the self-same sounds

On my spirit make a music, too.

~ excerpt from Peter Quince at the Clavier by Wallace Stevens

"I don’t think Mozart’s going to help at all."

~ Midge in Vertigo

British composer Ralph Vaughn Williams, who greatly influenced young Bernard Herrmann and for whom he had a great admiration, took the subject of film score composition seriously and in encouraging his contemporaries to do the same said, “I believe that the film contains potentialities for the combination of all the arts such as Wagner never dreamed of, and I would therefore urge those distinguished musicians who have entered the world of the cinema to realize their responsibility in helping to take the film out of the realm of hack work and make it a subject of a real composer.” Music constitutes an essential part of the film experience, yet we often fail to acknowledge its importance to the way we perceive film. This is not to say that music is comprehensible only to those who have formal training; to the contrary the ability to appreciate music is a capacity we all share. The often overlooked genius of composing for film in general, and of Bernard Herrmann specifically, is an ability to work within the parameters of music theory while exploiting the viewer's instinctive knowledge of musical conventions, creating a lush musical landscape perfectly suited to the emotional content of the image captured on film.

Deadly Obsession: Alfred Hitchcock's VERTIGO

by guest contributor R.D. Finch

"What's that old Oscar Wilde thing? 'Each man kills the thing he loves...' That I think is a very natural phenomenon, really."

Alfred Hitchcock, in a 1963 interview

In his fifty-five year long career in films, Alfred Hitchcock directed sixty-seven movies. At least a dozen of these are bona fide masterpieces, and about an equal number are excellent movies that fall just short of the masterpiece mark. By any measure that's an impressive record, one unequaled by any other filmmaker I can think of. Even more impressive is that Hitchcock's pictures are not rarefied works of art of interest mainly to aesthetes and film scholars, but full-blooded movies that appeal equally to ordinary filmgoers looking for accomplished entertainments and to cinephiles looking for an intellectually and artistically stimulating film-viewing experience. Of all Hitchcock's pictures, none managed to combine these two modes—entertainment and art—so skillfully, so intriguingly, and so pleasingly as his 1958 film Vertigo.

2012 arrives...

...and A Month of VERTIGO is about to begin...

A Month of VERTIGO: the Bloggers...

Arriving with 2012 will be this blog’s first major event, A Month of VERTIGO. The month will feature 10 11 bloggers and one ‘vlogger' reflecting on facets of Alfred Hitchcock’s Vertigo (1958).

Unpopular with critics and audiences when it was released, Vertigo has endured. Today it is generally considered the great auteur's masterpiece of masterpieces and is one of the most highly regarded films in movie history. Vertigo is an ambitious work of grand scale and reputation - a staggering review subject for the lone blogger. And so, we eleven twelve have joined together to contemplate this masterwork from many angles.

Here's what to expect at The Lady Eve's Reel Life during January 2012:

A Blog Full of Gifts From Me to You...

The Lady Eve offers a blogful of holiday cheer this year. Here's what's under the tree...

~ Two Icons Singing: Bing Crosby and Frank Sinatra sing "White Christmas" on a December 1957 TV special...

~ A Festive Romp From the 1970s: Kenneth More and Albert Finney sing "I Like Life" in the 1970 film Scrooge...

~ From Disney's Fantasia (1940): "The Nutcracker Suite"...

~ Judy, Judy, Judy...No holiday would be complete without hearing "Have Yourself a Merry Little Christmas" at least once. Here's Judy singing to her children, Lorna and Joey, in 1963 on the 'Christmas Show' for her CBS TV program...

~ A Holiday Movie: The Mitchell Leisen directed, Preston Sturges penned, yuletide classic Remember the Night (1940), starring Fred MacMurray and Barbara Stanwyck - all one hour and 33 minutes of it...

Happy Holidays!

'TIS THE SEASON...

 

The weather outside is frightful, but the fire is so delightful...which means it's a perfect time to snuggle down into a favorite chair, remote in hand, and decide: DVR or DVD?

With Christmas just a week away I've picked a few long-time holiday favorites to watch along with one or two that have come into my life more recently...

...More About "A Month of VERTIGO"

Not long ago I sat down with the 1956 British translation of Pierre Boileau and Thomas Narcejac's D'Entre Les Morts (1954). The book is now published under the title Vertigo (it was originally called 'The Living and the Dead') owing to the legend that is the 1958 Alfred Hitchcock film based on Boileau/Narcejac's novel. When I finished reading, I wanted to blog about Vertigo and decided to try to do it "with a little help from my friends." One of these friends (Brandon Goco) even created a 'teaser' for what turned into the project we're calling A Month of VERTIGO:

A Month of VERTIGO will begin January 1 and run through the month (and into early February) - with ten bloggers (including me) and one 'vlogger' (video blogger) contemplating Vertigo from a variety of perspectives. More details will appear soon about Reel Life's first major blog event.

The Shop Around the Corner (1940): A Lubitsch Christmas

It is only occasionally that a film ages with extraordinary grace. One such film, Ernst Lubitsch's 1940 classic, The Shop Around the Corner, has mellowed as elegantly as a rare and prized bottle of Hungarian Tokaji Aszú...

Balta Street, Budapest

Lubitsch, acclaimed for sophisticated films with a light-as-air "touch," was at an artistic peak in 1940. He took special care with The Shop Around the Corner, one of his favorites among his own films. Of it he would write, “Never did I make a picture in which the atmosphere and the characters were truer…” And this atmosphere is unmistakable. With the first strains of “Ochi Tchornya” heard over Leo the Lion’s roar, the first glimpse of a dreamlike setting near Budapest’s historic Andrassy Street and through an assortment of unique and quirky characters, the spirit of old Europe comes alive on screen.