Rich, vivid Technicolor is one of the hallmarks of the most well-known and celebrated of the gorgeous, masterful films from the production team of Michael Powell and Emeric Pressburger, The Archers. From the mid-1940s into the early '50s, almost all of their films were shot in striking 3-strip Technicolor, often by cinematographer Jack Cardiff. Cardiff had been a camera operator for Denham Studios when the American Technicolor Company recruited him as their first technician in Great Britain. He would shoot England's first color film and initially work with Powell and Pressburger as a second unit camera operator on their first Technicolor film, The Life and Death of Colonel Blimp (1943). He would graduate to cinematographer on their second color outing, A Matter of Life and Death/Stairway to Heaven (1946). But there would be a lengthy delay in the production of the second film because of a limited availability of Technicolor cameras and film stock in England at that time.
Friday, May 21, 2021
Sunday, May 16, 2021
For National Classic Movie Day: 6 Films - 6 Decades
May 16 is here and it's National Classic Movie Day. Hooray! Happily, Rick over at the Classic Film & TV Cafe is once more hosting his annual blogathon in honor of this special day. The theme this year is "6 films - 6 decades," with each participant focusing on a favorite classic from each of six decades. Selecting just a few films from hundreds of favorites is never easy so I came up with a secondary theme of my own to simplify the task. I'll be spotlighting a film of each decade from the '20s through the '70s that also features a favorite pairing of lead actors.
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