50 YEARS OF CHARACTER ROLES IN AMERICAN AND FRENCH CLASSICS
I was watching Josef von Sternberg’s flamboyantly decadent noir The Shanghai Gesture (1941) a while ago. Taking in the dense and elaborate décor, sinister atmosphere and louche characters the maestro whipped together for this wickedly twisted cinematic excursion, I marveled that the censors had left so much intact. The setting is a palatial Shanghai gaming house, a den of iniquity if there ever was one, with vice of every kind lurking in its shadowy nooks.