SPELLBINDER: The Bad and the Beautiful (1952)

Hollywood films about Hollywood behind the scenes didn’t begin or end with Vincente Minnelli’s The Bad and the Beautiful (1952), but none has painted a more glamorous/gimlet-eyed portrait or better mirrored the town’s notion of itself at a particular moment. It was mid-20^th century, just as the old order - the studio system - was about to collapse. David Raksin, composer of the film’s sinuous score, characterized this cinematic self-reflection as “…an affirmative appraisal, one that captures the spirit of the time and place with cunning eloquence; and when it looks at the scars and wrinkles, it is with a lover’s eye. In 1952 we were still infatuated with our little world…”

Roman à Clef: All About Eve...and Margo

In black-and-white, from left: Tallulah Bankhead, Bette Davis and Elisabeth Bergner; front and center: Bette Davis, Gary Merrill and Anne Baxter in a color still for All About Eve (1950)

In the spring of 1987 Joseph Mankiewicz was staying at the Hotel Cipriani on the lagoon in Venice, Italy, where he had come to be honored with a prestigious Leone d'Oro award. While there he received an unexpected call one day from a woman he described as "absolutely desperate-sounding." What she said to him came as a surprise - and he didn't believe her:

"Mr. Mankiewicz, this is Eve...the Eve you wrote the movie about. I was the girl who stood outside the theatre..."

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