Movie Music, the Communicating Link

Bernard Herrmann, likely the most celebrated of classic era film composers today, who wrote the scores  for Citizen Kane, Vertigo, North by Northwest, Psycho and Taxi Driver among countless others, once said of the function of the film score:

Bernard Herrmann and Alfred Hitchcock

“I feel that music on the screen can seek out and intensify the inner thoughts of the characters. It can invest a scene with terror, grandeur, gaiety, or misery. It can propel narrative swiftly forward or slow it down. It often lifts mere dialogue into the realm of poetry.”

This is surely true of Herrmann’s own remarkable work for Welles, Hitchcock, Scorsese and others, as it is of the contributions of Max Steiner to films like Casablanca, Gone With the Wind, The Letter and Now, Voyager and David Raksin’s work on such films as Laura and The Bad and the Beautiful. Herrmann’s contention has been borne out over the decades through scores by the likes of Franz Waxman, Miklos Rozsa and all of Hollywood’s “big five” Golden Age composers. Beginning with Jaws and Star Wars, the prodigious work of John Williams continues to prove Herrmann’s point as do the scores of modern era film composers such as Alexandre Desplat for The Grand Budapest Hotel.

Lady Gaga for "La La Land"

Or: Lady Eve Goes Gaga for La La Land

I stepped up to the ticket window at the Century Regency 6 on a Wednesday morning earlier this month intending to purchase an early bird ticket to a film that was in the last days of its run at the multiplex. But Fate would have it otherwise; the movie had already begun 15 minutes ahead of schedule for some logistical reason or another. When I asked if there was another film that hadn’t started yet but would soon, I was told, “Well, La La Land is starting right now.” Ah, one of the other movies I wanted to see. So I grabbed a ticket and hurried into the theater. The opening scene, a splashy and jubilant musical number set on a present day traffic-jammed L.A. freeway, was already in high gear. Taken by surprise at the hoopla onscreen, a near-over-the-top homage to a film genre so very long gone and out of fashion, I wasn't sure whether I was going to like this movie or not, but then...