Old Hollywood Haunts, Pt. 1: A Birthday Remembrance for the Brown Derby on Vine...

I lived in Hollywood, once upon a time, on Poinsettia between Fountain and Santa Monica Blvd., not far from Melrose.  It was the early '80s and I was working at a radio station on Sunset at North Genesee, across from the Screen Actors Guild. Ed Asner was the president of the guild then and I met him one afternoon, along with most of my co-workers, when SAG hosted an open house in the space it had just leased on the second floor of our building. This was around the time I was getting to know the Brown Derby at the intersection of Vine St. and Hollywood Blvd. Known locally as the Hollywood Derby, it was the radio station's go-to spot for good-bye and birthday and bon voyage lunches. The place always seemed to be bustling and I would never have guessed then that it would be gone forever within two or three years.

WILSON (1944), Darryl F. Zanuck's Forgotten Campaign for World Peace

It was August 1944 and World War II was advancing toward its cataclysmic end when 20^th Century Fox launched a heavily promoted biographical spectacular, Darryl F. Zanuck’s production of Wilson. A tribute to Woodrow Wilson, 28^th president of the United States, and his vision for world peace, Wilson was the most lavishly mounted film since David O. Selznick’s Gone with the Wind (1939) and would go on to be nominated for 10 Oscars, including Best Picture. The film debuted with great fanfare and was received with acclaim and enthusiasm. The Washington Post raved, citing Wilson as “one of the most distinguished films in the whole history of cinema.” Yet Wilson would also earn a reputation as “Zanuck’s folly” and disappear into the dustbin of movie history.

Marcel Dalio: What a (French) Character!

50 YEARS OF CHARACTER ROLES IN AMERICAN AND FRENCH CLASSICS

I was watching Josef von Sternberg’s flamboyantly decadent noir The Shanghai Gesture (1941) a while ago. Taking in the dense and elaborate décor, sinister atmosphere and louche characters the maestro whipped together for this wickedly twisted cinematic excursion, I marveled that the censors had left so much intact. The setting is a palatial Shanghai gaming house, a den of iniquity if there ever was one, with vice of every kind lurking in its shadowy nooks.

The Gene Tierney Centenary, Pt. 2: "...carried by the winds and the tides"

 

Celebrating the 100th anniversary of Gene Tierney's birth on November 19, 1920

 

Link to Pt. 1

Gene Tierney would admit that before she married Paramount costume designer Oleg Cassini, “I dated dozens of young men, had fun with all, made commitments to none.” This crush of eligible fellows ran the gamut from Howard Hughes to Desi Arnaz, but when she met Cassini at the end of 1940 she was instantly smitten. By their third date the couple was talking marriage. Though her parents and the studio were united in opposition, the couple broke the impasse when they eloped to Las Vegas in June 1941.

The Gene Tierney Centenary, Pt. 1: "I felt luck was with me"

 Celebrating the 100th anniversary of Gene Tierney's birth on November 19, 1920

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Marlene Dietrich once said, “The relationship between the make-up man and the film actor is that of accomplices in crime.” Amusing, and probably true of some whose faces have graced the silver – or Technicolor – screen, but not Gene Tierney. One of Hollywood's foremost leading ladies of the 1940s, she was a tall, elegant beauty, with cheekbones that might’ve been shaped by a master sculptor, eyes the shimmery green of the sea on a windswept day, lips plush as an orchid in full bloom. And yet she was more, a young woman who burned with ambition and the desire to be a respected actress. "I simply did not want my face to be my talent," she would reflect, looking back years later.

The (Almost) Great McGinty

PRESTON STURGES SERVES UP POLITICAL SATIRE IN HIS DIRECTORIAL DEBUT

There is Fitzgerald’s Jay Gatsby who aspired to a romantic fantasy that was his vision of the American Dream. And there is Preston Sturges’s Dan McGinty whose aspirations didn’t, at first, extend beyond the opportunities of the moment, a warm bowl of soup, a couple of quick bucks. Different as they were, both of these fictional fellows rose from nowhere to stunning prominence…for a while. Gatsby’s tale is a celebrated tragedy; McGinty’s saga is comic/ironic and not nearly as well known as it should be.

AN EXCELLENT FORMULA!

THE HITCHCOCK VILLAINS

This is my contribution to Maddy's 4th Annual Alfred Hitchcock blogathon, click here to learn more...

In 1962, French film director/critic Francois Truffaut spent a week sequestered at Universal Studios with Alfred Hitchcock, a filmmaker he admired extravagantly. There, the two explored each of Hitchcock’s films to date in detail. Discussing Stage Fright (1950), one of his lesser films, Hitchcock remarked, “The greatest weakness of the picture is that it breaks an unwritten law: The more successful the villain, the more successful the picture. That’s a cardinal rule, and in this picture the villain was a flop!” Truffaut was delighted, “The better the villain, the better the picture,” he exclaimed, “that’s an excellent formula!”

Is it? Let’s take a closer look at the villains in some of Hitchcock’s best films.

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Gimme Shelter: Classics for Comfort, CMBA Spring Blogathon 2020

The Classic Movie Blog Association is hosting its annual spring blogathon from May 19 – 22. This year’s theme is “Classics for Comfort,” about films that soothe us in difficult times. Click here for more info and links to participating blogs.

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When we first began to shelter-in-place in my area two months ago, I pulled a Marilyn Monroe collection from the shelf. What could lighten the heart more than frolicking through Gentlemen Prefer Blondes, How to Marry a Millionaire, The Seven Year Itch and Some Like it Hot? Not much. And so I did. Seems a very long time and lots of movies ago now. Among the films I’ve watched since then that have given comfort or relief in different ways are these. 

6 from the '60s for National Classic Movie Day

It's May 16, National Classic Movie Day, and Rick over at the Classic Film & TV Cafe is hosting his annual blogathon to celebrate the occasion. This year the subject is 6 from the '60s, in which we participating bloggers put the spotlight on six films of that decade. Click here to find out more and for links to all participating blogs.