This is my entry for the Classic Movie Blog Association's Fall 2017 blogathon, Banned and Blacklisted, for links to all contributions, click here.
Marlene Dietrich in The Blue Angel
In 1930, 29-year-old Marlene Dietrich created a sensation
with her breakout performance as cabaret temptress Lola-Lola in
Josef von Sternberg’s The Blue Angel (Der Blaue Engel), the tale of a straitlaced professor spellbound by a low-rent vamp. It was Germany’s first sound picture, produced
in both German and English versions, and made for Ufa, the country’s then-eminent film production company. Brand spanking new toast-of-Berlin Dietrich
departed that city for Hollywood the morning after The Blue Angel's premiere. She was
signed by Paramount with the hope she would be its answer to MGM’s Garbo, and she
quickly rocketed to worldwide fame, earning a Best Actress Oscar nomination for
her next performance, in Morocco (1930).
Dietrich would stay in Hollywood and, reinventing herself more than once in her long career, attain a level of international stardom that would last until the end of her life and beyond.
Between 1930 and 1935, Josef von Sternberg filmed six wondrous and surreal flights of imagination for Paramount starring Marlene Dietrich with costumes by Travis Banton. The director and Dietrich had already made their first film together, The Blue Angel (1930), for UFA in Germany and, on the heels of that film's sensational premiere in Berlin, departed for Hollywood. Von Sternberg, who was born in Austria but mostly raised in America, had worked previously with Banton in the U.S. on Underworld (1927), a groundbreaking silent crime drama.
1931 began spectacularly for director Josef von Sternberg and actress Marlene Dietrich. Their first two films together, Morocco and the English language version of The Blue Angel, had both just opened in the U.S., creating a sensation...and big box office.