The Shape of Things to Come...in 2015

2014, a busy year in my world, seems to have passed in a about a half-hour or less, and now 2015 is at the door. Here's what my crystal ball predicts may be in store for me on the classic film front in the new year...

Welcome back, Christian!

A week or so ago Silver Screen Modiste, the website of my dear blogger friend Christian Esquevin, was hi-jacked. When he discovered that he was no longer in possession of his site's domain name, Christian also discovered it would now cost him an arm and a leg to try to get it back. Instead, he has reconstituted it as Silver Screen Modes and, as of today, Christian is back online with more fascinating insights on classic film costume design.

Click here to visit Silver Screen Modes and enjoy Christian's assessment of the costume design nominees for the 2013 Academy Awards.

Zhang Ziyi in Wong Kar Wai's The Grandmaster, Oscar-nominated for Best Costume Design

"The Misfits" and Me - by Christian Esquevin

Where does the first step begin on a journey to fate? For me it was sometime in August of 1960, just a kid on a camping trip with his parents and their friends. Lake Tahoe was the destination, with side trips to Squaw Valley, Reno, Carson City, and Virginia City, Nevada. Little did I know, nor anyone else in our little party, that we would run into the production of The Misfits, starring Marilyn Monroe, Clark Gable, and Montgomery Clift, as directed by John Huston. It was clear from the entourage around Gable and Marilyn that this was a very big deal. And my father reinforced this message with his excited exclamation, “there’s Marilyn Monroe and Clark Gable!” although he probably uttered this in French, my parents’ and their friends’ native language. 

Mad Men Style

by guest contributor Christian Esquevin

The thing that makes Mad Men such a perfect television series is its “all-of-a-piece” quality. It has all of its elements operating at a high level and fully integrated into a drama geared towards adults. This goes well beyond high production values, or even great writing – it is a seamless creation mixing fascinating characters, interesting plots, evocative sets and costumes, a down-to earth reality needing no gratuitous violence. It is a perfectly pegged recreation of the Zeitgeist - not just of the world of advertising - but of urban America at the turn of the 1960s. Despite its very real display of sexism in society and in the workplace, including the very negative consequences of that mindset, Mad Men is mainly the story of one man and his perilous perch high atop the hierarchy of a corporate ad agency. The series title is a play on “ad men” and Madison Avenue, where the big ad agencies were located.

Sunday Night is "Mad Men" Night...a blog event

AMC’s Mad Men begins its much-anticipated fifth season on Sunday night, March 25, after a long and, for some of us, parched nearly two year hiatus.

This means that Sunday night will once more be Mad Men night in my world. At last. But I’m not alone in my joy, and a few blogger friends have volunteered to contribute guest posts to The Lady Eve’s Reel Life in celebration of the series' return. So...three Sundays and one Saturday in March, a different take on Mad Men will appear:

Sunday, March 4 – FlickChick with Mad Men: Now and Then and Back Again

Sunday, March 11 – Whistlingypsy on The Feminine Mystique of Mad Men

Sunday, March 18 – Christian Esquevin on Mad Men Style

Saturday, March 24 – Motorcycle Boy with Mad Men: Through a Glass Darkly

...plus...

Sunday, April 1 - The Lady Eve with A Meditation on Mad Men 

Coming soon: Jill of Sittin' on a Backyard Fence...

Click here to return to the Reel Life main page.

The Costumes of VERTIGO

by guest contributor Christian Esquevin

“I don’t wear suits, and I don’t wear gray. Another thing, I don’t wear black pumps,” said Kim Novak to Edith Head, the costume designer for Vertigo. “I don’t care what she wears as long as it’s a gray suit," Hitchcock retorted when Edith reported this conversation to him. Thus began the creative tension over the costuming of Vertigo. But in a clash of opinion over the visual aspects of a Hitchcock film, Hitch always prevailed. Indeed, he had the colors already in mind along with the costume types he wanted even before pre-production for Vertigo began. Kim Novak wore the gray suit with the black pumps - her iconic look in Vertigo. “I had never had a director who was particular about the costumes, the way they were designed, the specific colors,” said Novak about Hitchcock later.

A Month of VERTIGO: the Bloggers...

Arriving with 2012 will be this blog’s first major event, A Month of VERTIGO. The month will feature 10 11 bloggers and one ‘vlogger' reflecting on facets of Alfred Hitchcock’s Vertigo (1958).

Unpopular with critics and audiences when it was released, Vertigo has endured. Today it is generally considered the great auteur's masterpiece of masterpieces and is one of the most highly regarded films in movie history. Vertigo is an ambitious work of grand scale and reputation - a staggering review subject for the lone blogger. And so, we eleven twelve have joined together to contemplate this masterwork from many angles.

Here's what to expect at The Lady Eve's Reel Life during January 2012: