Woody Allen, Master of Suspense?

This post is my contribution to The Best Hitchcock Films Hitchcock Never Made blogathon hosted by Tales of the Easily Distracted and Classic Becky's Brain Food. Click here for more information and links to participating blogs.

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On the face of it, the only thing Alfred Hitchcock and Woody Allen seem to have in common is the distinction of being aknowledged as preeminent auteurs. As Michael Newton put it in The Guardian earlier this year, "Along with Alfred Hitchcock, Allen must be the most recognizable director in the history of cinema."

Hitchcock's Silent Version of Blackmail on the Big Screen

The era of talking pictures arrived while Alfred Hitchcock was working on his crime thriller, Blackmail, in 1929. The film had already been shot as a silent feature but during post-production the studio asked the director to convert it to partial sound so it could be marketed as a talking picture. Hitchcock, as was his way, had his own ideas. He began to tinker; scenes were reshot with dialogue, additional scenes with dialogue were added. In the end, Hitchcock had two films - his and Britain's much touted "first full length all talkie film" - and the original silent version. In 1929, most theaters in Britain were not equipped for sound, so it was the silent Blackmail that was for a long time the most widely seen and popular of the two films.