Forever Roses

"Even bedridden, she was the most beautiful old lady I'd ever seen. There she was with no makeup but still beautiful skin, big blue eyes and little hands fluttering like small birds in the air. She smelled beautiful, too, like roses." - Sacha Briquet

Marlene Dietrich lived her final years in an apartment on Avenue Montaigne in Paris. French actor/comedian Sacha Briquet (1930 - 2010) had become a friend and confidante and was one of few visitors she would see as she made her way into advanced age. Briquet's lovely reminiscence has me contemplating the purchase of a lifetime supply of Jean Patou's Joy, with the fantasy of emanating the scent of roses for the rest of my life. Of course, I wouldn't mind doing this from an apartment in Paris either...

FASCISM, NATIONALISM and the BANNED FILMS of MARLENE DIETRICH

This is my entry for the Classic Movie Blog Association's Fall 2017 blogathon, Banned and Blacklisted, for links to all contributions, click here.

Marlene Dietrich in The Blue Angel

In 1930, 29-year-old Marlene Dietrich created a sensation with her breakout performance as cabaret temptress Lola-Lola in Josef von Sternberg’s The Blue Angel (Der Blaue Engel), the tale of a straitlaced professor spellbound by a low-rent vamp.  It was Germany’s first sound picture, produced in both German and English versions, and made for Ufa, the country’s then-eminent film production company. Brand spanking new toast-of-Berlin Dietrich departed that city for Hollywood the morning after The Blue Angel's premiere. She was signed by Paramount with the hope she would be its answer to MGM’s Garbo, and she quickly rocketed to worldwide fame, earning a Best Actress Oscar nomination for her next performance, in Morocco (1930). Dietrich would stay in Hollywood and, reinventing herself more than once in her long career, attain a level of international stardom that would last until the end of her life and beyond.

SUMMER UNDER THE STARS: LA FEMME MARLENE

Summer Under the Stars, August 22: Marlene Dietrich

It was 1929, and Marlene Dietrich was appearing on the Berlin stage when Austrian-American film director Josef von Sternberg first caught sight of her. Something in her attitude intrigued him and he thought she might be right for the female lead in his next film, The Blue Angel, to be Germany's first sound film and produced in both German and English-language versions.

Marlene Dietrich, 1930, by Irving Chidnoff

Dietrich would later claim, "My so-called biographers eagerly published a long list of films in which I had appeared at that time and supposedly played leading roles. This is not so. When Josef von Sternberg chose me for The Blue Angel, he was hiring an unknown."

She was cast as Lola Lola, a singer/dancer in a tawdry dive called "The Blue Angel," a more wanton and fleshy seductress than those the actress would later portray. Dietrich's transformation from curvy brownette to svelte blonde would become a subject of some conjecture.

She credited her changing onscreen appearance (and quite a bit more) to her director. Von Sternberg, she said, had placed the main spotlight very low and far away from her to add prominence to the roundness of her face, "No hollow cheeks for The Blue Angel," she would write. "The secret face with the hollow cheeks," the look she became famous for, "was achieved as a result of placing the main spotlight close to my face and high above it." From von Sternberg, Dietrich learned a tremendous amount about lighting and camera; so much so that her knowledge was often greater than that of directors and cameramen she worked with after their collaboration ended. And, to ensure she was being photographed to her best advantage, she came up with the idea of watching herself while filming by placing a full-length mirror next to the camera.

Happy Birthday, Marlene Dietrich!

Marlene Dietrich, photograph by Edward Steichen

Marie Magdalene Dietrich was born 112 years ago today in Schöneberg, Germany. She died well into her 90th year, in Paris, in 1992, and was by then known the world over as Marlene Dietrich, archetypal superstar of the silver screen as well as the cabaret and concert stage.

Fashion in Film Blogathon: Shanghai Express (1932)

Clive Brook and Marlene Dietrich

Between 1930 and 1935, Josef von Sternberg filmed six wondrous and surreal flights of imagination for Paramount starring Marlene Dietrich with costumes by Travis Banton. The director and Dietrich had already made their first film together, The Blue Angel (1930), for UFA in Germany and, on the heels of that film's sensational premiere in Berlin, departed for Hollywood. Von Sternberg, who was born in Austria but mostly raised in America, had worked previously with Banton in the U.S. on Underworld (1927), a groundbreaking silent crime drama.

Starry, Starry Night(s)

TCM'S ANNUAL FESTIVAL OF STARS DRAWS TO A CLOSE

Since 2003, August on Turner Classic Movies has meant a 31 day parade of stars, each day filled with the films of a different one, each honored for 24-hours of what is known and celebrated as "Summer Under the Stars."

This year, many received a day of their own for the first time. I was  surprised to discover that Charles Laughton, Montgomery Clift and Ronald Colman hadn't been featured before. I wasn't at all surprised, but was infinitely thrilled to find that Jean Gabin, icon of the French cinema, was to be honored for the first time.

Marlene Dietrich Gets Personal in Charlotte Chandler's New Biography

Prolific biographer Charlotte Chandler has written on the life of a different film legend every year for the past 6 years, beginning with It's Only a Movie: Alfred Hitchcock in 2005. Her latest, Marlene, has just been published by Simon & Schuster.

Chandler's biographies are based on personal interviews. She includes filmography and career details, but her style is to convey the story of a life in the first-person as much as possible, using the subject's own words. This conversational approach gives the reader a sense of being in the room, listening in, as the story of a remarkable life unfolds.

Marlene Dietrich...another facet of her legend



Marlene Dietrich is one of very few film stars whose career not only spanned 60+ years but who also enjoyed icon status for most of those years. Her life in film began in the early 1920s with silent pictures. It came to a close with Maximillian Schell's 1984 Oscar-nominated documentary, Marlene, in which she speaks but does not appear on camera.

Light, Shadow and Synergy ~ von Sternberg and Dietrich, Part III

Scroll down for Parts I and II of Light, Shadow and Synergy...

In 1933, during a hiatus between studio contracts and filmmaking, Josef von Sternberg traveled to Germany to explore establishing Marlene Dietrich and himself at UFA, the studio where the two had made The Blue Angel three years earlier. Just as the director was returning to the U.S., recently appointed Reich Chancellor Adolf Hitler suspended the German constitution and soon began revoking the citizenship of Jewish artists and scholars; not much later came the burning of books. Back in America, von Sternberg, an Austrian Jew, and his star signed on once more with Paramount where the director's new contract gave him almost complete autonomy over his films.

He later wryly reflected on his next (and last) two productions with Dietrich, “I completely subjugated my bird of paradise to my peculiar tendency to prove that a film might well be an art medium…”

Light, Shadow and Synergy ~ von Sternberg and Dietrich, Part II

1931 began spectacularly for director Josef von Sternberg and actress Marlene Dietrich. Their first two films together, Morocco and the English language version of The Blue Angel, had both just opened in the U.S., creating a sensation...and big box office.

Light, Shadow and Synergy - von Sternberg and Dietrich, Part I

Josef von Sternberg is recalled first and foremost as the filmmaker who, 80 years ago, introduced the cinematic persona adopted by Marlene Dietrich as her own, on screen and off, for most of the rest of her life. It is less well known that before their fabled association von Sternberg had already earned a name for himself as an accomplished, if temperamental, director. His artistic reputation peaked during the years 1930 - 1935, when he directed seven films starring Dietrich.