From June 26 - 28, in honor of the
90th anniversary of the founding of Metro-Goldwyn-Mayer, Silver Scenes is hosting the MGM Blogathon. This post, originally published in 2011, has been updated and re-published as my contribution for the blogathon. Click here for links to all participating blogs.
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Just over a year ago, as Turner Classic Movies prepared to honor silent screen legend John Gilbert with a day of his own for the first time during “Summer under the Stars” 2010, I interviewed Leatrice Gilbert Fountain, daughter of the actor and his second wife, silent screen star Leatrice Joy. Leatrice Fountain and I had become acquainted several months earlier and it seemed a perfect idea to publish a discussion of her father’s career on the same day TCM fêted him.
It was her trademark, her calling card and, in 1931, the name of a film for which she received third billing. Platinum Blonde had originally been intended as a vehicle for top-billed star Loretta Young but, by the time it was released, the film's title had changed and changed again until it was an outright reference to pale-haired co-star Jean Harlow. It was not Harlow's breakout picture, that had come with Hell's Angels (1930), nor is it generally cited as one of her great classics, but Platinum Blonde was pivotal - it proclaimed her stardom.
