The What a Character! blogathon is in progress now, hosted by Once Upon a Screen, Outspoken and Freckled and Paula's Cinema Club. Click here for more information and links to participating blogs. My entry for the event follows...
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Young Gladys |
Gladys Cooper and Alfred Hitchcock launched their careers in Hollywood at the same time on the same film - Rebecca (1940). Cooper's was the small role of a tweedy aristocrat, the sister of Maxim de Winter (Laurence Olivier), who offered warmth and kindness to the beleaguered second Mrs. de Winter (Joan Fontaine). Rebecca, Selznick Pictures' follow up to Gone with the Wind, took the year's Best Picture Oscar and put Cooper (not to mention Hitchcock, Fontaine and Olivier) on the Hollywood map. Her obvious talent and commanding presence brought two less sympathetic roles next: Dennis Morgan's disapproving socialite mother in Kitty Foyle (1940) and the spurned wife of Laurence Olivier in That Hamilton
Gladys Cooper and Frank Morgan in Green Dolphin Street |
Typecast? Yes and no. Cooper was fortunate (and versatile) enough to be cast in sympathetic roles - in Mr. Lucky (1943), The White Cliffs of Dover (1944), The Valley of Decision (1945), Green Dolphin Street (1947) and other popular films - but she was as often cast as uppercrust autocrats. In 1947, she brought one of her most memorable wealthy dowagers to the screen as Mrs. Hamilton in the holiday fantasy The Bishop's Wife. This time, though, there was a twist; the imperious widow's hardened heart was melted by no less an angel than Cary Grant - giving Cooper the rare chance to render both harsh and tender facets of her character.
Gladys Cooper and Cary Grant, The Bishop's Wife |
Gladys Cooper's credits during TV's early, golden days are impressive. She appeared on two legendary drama anthologies, The Alcoa Hour and Playhouse 90; she was featured on both Alfred Hitchcock Presents and The Alfred Hitchcock Hour; she guested on The Ann Sothern Show, Naked City, The Outer Limits, Burkes Law, Ben Casey, The Girl From U.N.C.L.E. (!) and was nominated for a
The Rogues |
Now in her mid-70s, Gladys Cooper still had a last good film or two ahead of her. She was a member of John Huston's illustrious cast in The List of Adrian Messenger (1963) and earned her third and final Academy Award nomination for her performance as Mrs. Higgins, mother of Henry (Rex Harrison), in the Oscar-winning musical, My Fair Lady (1964).
And that's not all. Before she embarked on her Hollywood career, Cooper had starred on Broadway several times. She returned to the New York stage in her late career and earned Tony nominations in her final two roles. She was nominated for Best Actress in a Play in 1956 for her performance in The Chalk Garden and again in 1962 for her performance in A Passage to India (in a role that would bring an Oscar to Peggy Ashcroft 20+ years later).
Gladys Cooper (center) in a 1971 revival of The Chalk Garden |
At last, in 1967, as she approached 80, Gladys Cooper was named a Dame of the British Empire. Her life in the public eye had begun because of the great beauty with which she was naturally endowed; she was long considered the most beautiful woman in England. But Cooper was blessed with more than looks, she had striking talent and presence and profound devotion to her craft. The blush of youthful beauty would, as it always does, fade, but her power as an actress only matured and deepened through the years. Dame Gladys Cooper had been about to embark on a Canadian tour with a revival of The Chalk Garden in 1971 when she was stricken with pneumonia and died.
Bette Davis was set to tape a guest appearance on The Dick Cavett Show when she learned of Gladys Cooper's death; she shared her thoughts during the interview:
Lovely post on a truly, profoundly great actress. Also love Bette Davis remarks in her interview on their like shall never come again. Sadly true.
ReplyDeleteIt seems English film actors and actresses still go through fairly rigorous stage training (and it shows). In the US it seems there's no longer as much a professional stage tradition as there once was. The Soap opera seems to be one of the main routes to film work these days.
DeleteYour article is very enlightening. Gladys Cooper lived a fascinating life in fascinating times. We're lucky to have those filmed performances to enjoy.
ReplyDeleteThanks! I'd love to have seen Gladys Cooper's performance in "The Letter" on film. She originated the role of Leslie Crosbie on the London stage.
DeleteThanks for featuring Gladys Cooper in the blogathon. I knew almost nothing about her career, except that I'm a fan of her work.
ReplyDeleteThanks also for including the clip of the Bette Davis/Dick Cavett interview. The whole interview is fascinating, but I especially love the warm words Davis had for Cooper.
I enjoy the Dick Cavett interviews of old - he's very bright and yet has that bit of awkwardness in the presence of the great ones that is endearing.
DeleteLady Eve -as always, an excellent article about one of the greats. A while back I kept coming across some guy on FB who apparently had a thing for the young Gladys and kept posting pictures of her in her youth and I must say she was quite the beauty.
ReplyDeleteShe was very lovely - beautiful eyes - dreamy, with a slightly "bedroom" quality. It was the fashion in her days as a model to look serious, a bit melancholy - in other words, not to smile (as much stillness as possible was preferred in the poses - due the slow speed of cameras then).
DeleteCooper is truly one-of-a-kind. Her performance in The Bishop's Wife is truly special, but the one that I probably love the most is The Valley of Decision.
ReplyDeleteThank you for this wonderful tribute. And for posting that picture of her as a young woman. So beautiful!
Gladys Cooper's best known film roles are in two high-profile classics - Now, Voyager and The Bishop's Wife - in which she plays (brilliantly) matriarchal bullies. So - I was surprised when I first saw her in more kindly roles and realized how truly engaging and sympathetic she could be. A very, very fine actress.
DeleteI saw Gladys in several performances, like Now, Voyager, and The Song of Bernadette. Since some of her movies, like Separate Tables and Kitty Foyle, are on my to-watch list, I promise to pay more attention to her. Oh, and she was a real beauty in her youth!
ReplyDeleteDon't forget to read my contribution to the blogathon! :)
Kisses!
LĂȘ, I'll read every blogathon entry eventually, and I'm looking forward to yours.
DeleteI get chills just thinking of her in NOW, VOYAGER and adore her in THE BISHOP'S WIFE! She had extraordinary range and this is a wonderful tribute!! As is always the case when I visit, I loved reading this post. Lovely!!
ReplyDeleteThanks so much for participating in the blogathon! :)
Aurora
And thanks for hosting a great blogathon, Aurora!
DeleteLady Eve, a great selection and fine tribute to this thespian, who seemed to be in everything. As far as mothers go I can't imagine more differant roles than those in Kitty Foyle or Now Voyager with that of My Fair Lady. But that's what makes a great actor.
ReplyDeleteYes - she was so credible as cold, cruel characters and yet equally fine in roles that required warmth and and humor and sweetness.
DeleteThough I have seen Cooper in many of the films you discuss, I always have associated her with the TV series THE ROUGES, a show I use to watch way back when. Wish it would come out on DVD. A Wonderfully done article!
ReplyDeleteI only vaguely remember The Rogues and don't know if I ever watched even an episode - but it looks like the entire season is available on YouTube. Will have to check it out - what a cast!
ReplyDeleteI remember her in many roles, but never realized her career ran all the way back to her youth or that she had been a celebrated beauty. I am ashamed to say I was not even aware of her name...I just knew she was a great character actress. Thanks for a excellent read.
ReplyDeleteThank you for stopping by, Cyd, I'm glad you enjoyed this brief "tour" of Gladys Cooper's career.
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