Hitchcock...in 3D!

My introduction to 3D movies finally came this past weekend and I’m sure it surprises no one who knows me that this happened by way of a classic rather than one of today’s CGI extravaganzas.  My initiation into stereoscopic 3D film, a process that has been around forever but has gained a firm foothold only recently, took place on Sunday afternoon, when I happily watched the only 3D film Alfred Hitchcock ever made with a near-full-house audience at one of my favorite theaters, the Rafael.

How sweet it is: "The Honeymooners" on MeTV

In the final episode of the first season of AMC’s Mad Men, set in 1960, advertising wunderkind Don Draper pitches his creative concept to Kodak for its latest product, a slide projector called the Carousel. He speaks of the power of nostalgia and describes the device as a time machine with the ability to take people to that place everyone most longs to go, “back home again.” As he delivers his presentation in a darkened conference room, images of Draper’s own young wife and children flash onto a screen one by one, and the carousel works its magic on on those who watch.

MeTV is another sort of time machine. Its viewers are regularly transported to an earlier, some say more golden, age of television – the ‘50s, ‘60s and ‘70s, those decades when the network’s target audience, baby boomers like me, was very young. Tripping into the past by way of MeTV is a purely cheerful experience, nothing at all like the harrowing journey of Martin Sloan (Gig Young) whose “Walking Distance” detour into his past took him through the looking glass of The Twilight Zone.

TCM's Friday Night Spotlight in July: Francois Truffaut

Francois Truffaut

Friday nights in July are going to be hot, and I’m not talking about the weather where I live. Beginning tonight and on the 12^th, 19^th and 26^th, Turner Classic Movies will feature hour after hour of the films of one of the pioneers and masters of the French New Wave, Francois Truffaut (1932 – 1984). Film Critic David Edelstein of New York Magazine and NPR’s Fresh Air, hosts the series.

Of New York History and New Hollywood Horror...

EDWARD CLARK'S "FOLLY"

The address, One West 72nd Street, may not register with many who live outside the city of New York, but the name of the building at the corner of 72nd Street and Central Park West is more familiar.  The Dakota, a famed luxury co-op on the Upper West Side, has been home to many high profile luminaries, served as the setting for one of Roman Polanski's best known films, and was the site of an infamous murder in 1980.

Happy Birthday, Tyrone Power!

artwork by Rob Kelly

99 years ago Tyrone Edmund Power was born in Cincinnati, Ohio. 22 years after that he became a movie star and would remain one for the rest of his life – another 22 years. The biggest male star at 20^th Century Fox during the ‘30s and ‘40s, Power is remembered by most today as a charismatic leading man of extraordinary looks and resonant voice. He was also a talented and ambitious actor.

CAGNEY

Cagney, color by Claroscureaux

"...every time I see him work, looks to me like a bunch of firecrackers going off all at once."

Will Rogers 

During an era when impressionists, those performers whose gift it is to mimic the very famous, were a staple on television, Cagney was an essential in every repertoire. Cagney. An electric and singular presence, he is among the handful of Hollywood legends instantly identifiable by just one name. His film career began in 1930 and came to an end in 1981, but he is as revered by film buffs today as he was treasured by audiences throughout his active years. This tribute is my contribution to The Movie Projector's Cagney Blogathon. Click here for links to participating blogs.

NOIR NEWS

Robert Siodmak's The Killers (1946) screens April 17th at Noir City: Hollywood

A presentation of the American Cinematheque and the Film Noir Foundation, Noir City: Hollywood, the 15th annual Los Angeles film noir festival, is in full swing now and runs through April 21. Films screen at the Egyptian Theatre in Hollywood and the Aero Theatre in Santa Monica. For program and ticket information, click here.

MAD MEN 6

When Mad Men returned to the air waves (and all those second and third screens) last year, nearly 18 months had elapsed since the previous season. Die-hard fans like me barely survived the overlong wait. When the premiere date for season five was finally announced, I decided to celebrate with a month-long blog event. Sunday Night is Mad Men Night was a joint effort with four blogger friends who each assessed the award-winning series from a different point of view:

Fashion in Film Blogathon: Shanghai Express (1932)

Clive Brook and Marlene Dietrich

Between 1930 and 1935, Josef von Sternberg filmed six wondrous and surreal flights of imagination for Paramount starring Marlene Dietrich with costumes by Travis Banton. The director and Dietrich had already made their first film together, The Blue Angel (1930), for UFA in Germany and, on the heels of that film's sensational premiere in Berlin, departed for Hollywood. Von Sternberg, who was born in Austria but mostly raised in America, had worked previously with Banton in the U.S. on Underworld (1927), a groundbreaking silent crime drama.