William Wyler's "The Letter" (1940) - Starting with a Bang

 

Of director William Wyler, Bette Davis once declared, “It was he who helped me realize my full potential as an actress.” Of the actress, Wyler would recall, “She was a director’s dream.” Together they made three very popular and critically acclaimed Hollywood films. The pair first collaborated on the 1938 Warner Bros. production of Jezebel. For her performance Bette Davis won the second of her two Best Actress Academy Awards. Davis was sorely disappointed that Wyler had not received a Best Director nod for his work on the film and would later credit her Oscar-winning portrayal to him, “It was all Wyler,” she wrote.

Songwriter Jack Lawrence: What Will I Tell My Heart?

Garbo Laughs is co-hosting the second annual Queer Film Blogathon starting today and running through June 22. This post, a snapshot of the life and career of composer/lyricist Jack Lawrence, is my contribution to the event. Click here for a link to more information and participating blogs.

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Jack Lawrence, songwriter

Oscar-nominated songwriter Jack Lawrence was born in Brooklyn, New York, on April 7, 1912, and gained acclaim as a tunesmith during the halcyon days of "Tin Pan Alley" via the hit parade of the 1930s, '40s and '50s. His songs include signature hits for some of the most popular singers of the 20th century, and many of his tunes made their way onto the silver (and Technicolor) screen. He was inducted into the Songwriters Hall of Fame in 1975.

I discovered Jack Lawrence through the Preston Sturges comedy, The Lady Eve. The film's main theme is the song "With the Wind and the Rain in Your Hair," a lyrical and wistful melody that lingers long after the final credits. In my quest to know more about the music, I came upon Jack Lawrence's website. There I found the story behind the song that was a big hit for Stan Kenton in 1940 and was covered by many others including Kay Kyser's orchestra with vocalist Ginny Simms.

50 Years Ago Today, in Hollywood...

Marilyn Monroe was scheduled to work on Something’s Got to Give, a George Cukor film in production for 20th Century Fox, on June 1, 1962, her 36^th birthday. That Marilyn arrived on the set on time and worked all day, managing to complete scenes with leading man Dean Martin and co-star Wally Cox, was a cause for celebration in itself, considering Marilyn had worked on only a handful of the film’s 30+ days in production. At the end of the day, a birthday party was thrown on the set featuring a cake festooned with sparklers and Marilyn's favorite champagne, Dom Perignon. Afterward Marilyn attended a charity baseball game at Dodger Stadium and was serenaded with a chorus of “Happy Birthday” during the event.

Myth Making: The Misfits (1961)

Pulitzer Prize winning playwright Arthur Miller traveled to Reno, Nevada, in the spring of 1956 to divorce his first wife. Fulfilling the state's six week residency requirement until the marriage was legally dissolved, Miller stayed at a cabin on Pyramid Lake, about 100 miles from "the biggest little city in the world." During his time in this "forbidding but beautiful place," he got to know a few modern-day cowboy types who made their living capturing wild mustangs and selling them to be butchered for dog food. Miller was invited to join them on one of these hunts. From his experiences in a "whole state full of misfits," Arthur Miller later fashioned a short story that was published the following year in Esquire magazine.

Over the Rain-Forest and the Still Water Beach

Abandoned movie set, Mismaloya, Mexico: photo courtesy of TripAdvisor

The programmers at Turner Classic Movies may not have planned the schedule with me in mind, but they’ve lined up a fine mix of films for me on my birthday this year.

Bruno Ganz in Wings of Desire

I share my day with Sir Laurence Olivier (born May 22, 1907), and TCM has programmed some films of his that I haven’t seen, including Term of Trial (1962), co-starring the great French actress, Simone Signoret. Later on in the day my beloved San Francisco provides the setting for the 1955 sci-fi classic, It Came from Beneath the Sea, in which the city is attacked by a radiation-enlarged octopus. In the evening, this month's TCM guest programmer, Deborah Winger, is set to appear. Among her choices is one film I haven’t seen but have had on my to-watch list for a long time: Wim Wenders' 1987 classic, Wings of Desire, brought its director the Best Director prize at Cannes in 1987 and won or was nominated for a raft of other awards.

Winger has also chosen to spotlight John Huston’s masterful production of Tennessee Williams' The Night of the Iguana (1964), one of the great film adaptations of Williams' work.

Tales of Hollywood: The Wild Ride of Preston Sturges

Turner Classic Movies began its salute to Star of the Month Joel McCrea on Wednesday, May 2, with two of his most enjoyable films - and two of the best films from writer/director Preston Sturges: Sullivan's Travels and The Palm Beach Story. Sturges was one of Hollywood's brightest lights during the early '40s, writing and directing in quick succession a unique and inspired string of spirited satires: The Great McGinty (1940) for which he won the first Oscar awarded for Best Original Screenplay, Christmas in July (1940), The Lady Eve (1941), Sullivan's Travels (1941), The Palm Beach Story (1942), The Miracle of Morgan's Creek (1944) and Hail the Conquering Hero (1944). His last great gem, the dark, deft Unfaithfully Yours (1948), was made during his fall from grace and was for years overlooked. The world of Preston Sturges was the definition of a "cockeyed caravan"* - onscreen and off...

A Tale of Two Epics: I, Claudius

Josef von Sternberg, Merle Oberon and Charles Laughton

In 1934, British scholar/writer Robert Graves published his best known and most successful work, the sweeping historical novel I, Claudius, written in the form of an autobiography by the Roman Emperor Claudius (10 B.C. - 54 A.D.). 40 years later this classic work would receive plaudits and a new audience in an entirely different medium.

One of a Kind: Kay Thompson

 

Kay Thompson, born in St. Louis early in the 20th Century (1909 is the general consensus, but there is some disagreement), can be most easily be described as unique.

Eloise in Paris (1957)

On-screen she is remembered for her role as vibrant, sophisticated Maggie Prescott in Funny Face (1957), shown above, but Thompson was a woman of many talents: singer, composer, vocal coach, actress, comedienne, dancer, choreographer, author and clothing designer. She is perhaps best known today for the series of best-selling "Eloise" children's books she began writing in the mid-'50s about a precocious 6-year-old who lives at New York's Plaza Hotel.

Kay Thompson was born Catherine L. Fink, the daughter of a St. Louis jeweler...and she was always musical. She began her singing career straight out of college and by the time she was in her mid-20s she was working in radio as a singer and choral director. She toured with Fred Waring as a singer and arranger, and her group, The Kay Thompson Swing Choir, appeared in Manhattan Merry-Go-Round (1937).

Break out the champagne (again), the '55 Hitchcock...

Alfred Hitchcock’s To Catch a Thief screens today at the 2012 TCM Classic Film Festival. In celebration of the third annual greatest-classic-film-festival-in-the-world, I’m posting this new and improved version of a piece on To Catch a Thief that first appeared here on New Year’s Day 2011.

Traditionally, champagne is the drink du jour (or nuit) at New Year’s, and so champagne it shall be now. A bottle of ‘96 Dom Pérignon Rosé would be fitting, but I’m in the mood for something really special…an old favorite… Hitchcock’s distinctive ’55 vintage from the Cote d'Azur. To Catch a Thief (1955), a delectable “Hitchcock champagne,” boasts a rare combination of elegance and flair. Light-bodied with a smooth finish that lingers, it remains unmatched, though it has been imitated far and wide for decades.