TCM's 2017 Classic Film Festival

TCM's 8th annual Classic Film Festival is set for April 6 - 9 in Hollywood, and this year's central theme is Make 'Em Laugh: Comedy in the Movies...if there was ever a year we needed some laughs...

Joel McCrea, Claudette Colbert and Rudy Vallee in The Palm Beach Story

Among the comedy classics to be screened are two of my favorites from writer/director Preston Sturges, The Palm Beach Story (1942) and Unfaithfully Yours (1948), with Rex Harrison and Linda Darnell. Also on the program: Arsenic and Old Lace (1944), Born Yesterday (1950), The Front Page (1931), Red-Headed Woman (1932), Harold Lloyd's Speedy (1928) and Twentieth Century (1934). A special presentation, Beyond the Mouse: The 1930s Cartoons of Ub Iwerks (2017), will feature several rarely seen short animation films by Iwerks, an early collaborator and partner of Walt Disney.

Lady Gaga for "La La Land"

Or: Lady Eve Goes Gaga for La La Land

I stepped up to the ticket window at the Century Regency 6 on a Wednesday morning earlier this month intending to purchase an early bird ticket to a film that was in the last days of its run at the multiplex. But Fate would have it otherwise; the movie had already begun 15 minutes ahead of schedule for some logistical reason or another. When I asked if there was another film that hadn’t started yet but would soon, I was told, “Well, La La Land is starting right now.” Ah, one of the other movies I wanted to see. So I grabbed a ticket and hurried into the theater. The opening scene, a splashy and jubilant musical number set on a present day traffic-jammed L.A. freeway, was already in high gear. Taken by surprise at the hoopla onscreen, a near-over-the-top homage to a film genre so very long gone and out of fashion, I wasn't sure whether I was going to like this movie or not, but then...

HAPPY NOIR YEAR!

The 2017 film noir festival season kicks off in the U.S. on January 20 in San Francisco when the Film Noir Foundation's Noir City 15 opens at the city's historic Castro Theater. Satellite Noir City festivals will follow through the year in L.A., Chicago, D.C., Seattle, Kansas City and Austin.

Deck the Halls with Holly Golightly!

Holly Golightly, that beguiling creature Truman Capote conceived as the centerpiece for his novella, Breakfast at Tiffany's, captured the imaginations of readers the instant she appeared in print in 1958. But it's doubtful anyone at the time could foresee that Capote's chic, free-spirited rebel would live on to become a cultural icon as well as a touchstone of style. Holly Golightly's longevity in our collective dreamlife, though, is all about Blake Edwards' 1961 film adaptation and, most especially, Audrey Hepburn's inspired and heartstopping turn as Holly.

In the 55 years since Audrey-as-Holly first stepped onscreen, her insouciant, Givenchy-gowned charm and style not only conquered the test of time, but have also sparked much emulation and homage...and so, on this Christmas Day 2016, I'm decking my blog with pix of Holly!

Holiday Classic "The Snowman" (1982) Comes to Town

The Snowman, the captivating tale of a young boy who wakes one snowy Christmas Eve, goes outside and discovers that a snowman he built has magically come to life, first appeared as a children's book by British author/illustrator Raymond Briggs in 1978. A 26-minute animated film adaptation of the story was released in 1982 and nominated for an Academy Award in the Best Animated Short Film category that year.

Très Distingué: "Breakfast at Tiffany's," another "Big Screen Classic" from TCM and Fathom Events

Each month this year Turner Classic Movies and Fathom Events have teamed to bring "Big Screen Classics" into movie theaters around the country. The series kicked off with Butch Cassidy and the Sundance Kid (1969) in January and will close with From Here To Eternity (1953) in December.

Audrey Hepburn and Jose Luis de Vilallonga

I've attended several of these screenings and last Sunday afternoon enjoyed the immense pleasure of viewing one of my favorite romantic comedies on the big screen for the first time, Blake Edwards' iconic Breakfast at Tiffany's (1961) starring Audrey Hepburn in the role that defined her appeal and firmly cemented her status as a film and style legend.

Pierre Chenal's 1939 Adaptation of James M. Cain's "The Postman Always Rings Twice"

SAN FRANCISCO'S 3RD FRENCH FILM NOIR FESTIVAL COMES TO THE ROXIE THEATER

From Thursday, November 3, through Monday, November 7, San Francisco's Roxie Theater will host the city's third annual French film noir festival, The French Had a Name For It 3. Fifteen films are set to screen, and opening night will showcase two from 1939, Marcel Carné's celebrated Le jour se lève (Daybreak), cited by many as the bridge film between poetic realism and noir, and Pierre Chenal's Le dernier tournant (The Last Turn), the much-anticipated, rarely seen first film adaptation of James M. Cain's searing crime novel, The Postman Always Rings Twice.

Stanley Kubrick's "2001" - A Musical Odyssey, Pt. 2

The skies opened up over San Francisco on Saturday evening, October 15, and the rains poured down. Though this deluge complicated our trek from dinner at Alta restaurant on Market Street to Davies Symphony Hall on Grove, drenching weather was not so discouraging that it prevented a full house audience from attending the week's final screening of Stanley Kubrick's sci-fi masterpiece, 2001: A Space Odyssey, with the San Francisco Symphony and Chorus performing its score live.

STANLEY KUBRICK'S "2001" - A MUSICAL ODYSSEY, Pt. 1

 

In 1964 Stanley Kubrick, who had by this time directed several notable and some Oscar-nominated films (Killer's Kiss, The Killing, Paths of Glory, Lolita, Dr. Strangelove) as well as one multiple-Academy-Award-winner (Spartacus), was now diving deep into science fiction. He'd become interested making a film about extraterrestrial life and was reading the work of top genre writers in search of a source novel that he could adapt. A knowledgeable acquaintance pointed him in the direction of Arthur C. Clark and though Clarke hadn't yet worked in film or had any of his novels adapted - and was wary - he was persuaded to collaborate by the dynamic and visionary Kubrick. Together the two would devise the screenplay for 2001: A Space Odyssey and Clarke would concurrently write a novel of the same name.